https://www.lexmorganlancaster.com/about daily 0.75 2025-08-29 https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/9c9b897e-9a9e-4254-9b80-c9b22ed4628b/Lex_couch+2.jpg Lex Morgan Lancaster https://www.lexmorganlancaster.com/publications daily 1.0 2025-11-27 https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/ca67d855-e7a1-48ff-9e5c-ab3b65e9b567/Lancaster_cover_front.jpg https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/5803a900-aba2-411e-a7cd-90fcd748acb4/Screen+Shot+2023-03-07+at+10.12.19+AM.png https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/1629226799467-5SHHOC8HIF9QDS1NV1KJ/discourse.gif https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/84f37b06-ce78-4e8a-a4fd-be9e59b51414/front_cover.jpg https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/7c267dec-81b0-4dfa-9b05-6e5b71c880c8/SchmaleMonograph.jpg https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/e4c90b0c-87d4-45c1-8f35-bf70b3ea1ef8/biennale.jpg https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/5ba596f6-f25a-48fa-ac54-593268608b6e/IMG_1641.JPG https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/8d330e83-5b5f-4e60-a57c-29adb9e0105c/Trans%2BVisibility%2Band%2BTrans%2BViability%2BRoundtable_Journal%2BCover.webp https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/1631726522427-7D0BFEPL4I8MEP5UH67O/Screen+Shot+2021-09-15+at+1.21.21+PM.png https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/096906fe-0cf2-40eb-b447-d72d03896940/Screen+Shot+2022-01-07+at+11.22.14+AM.png https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/ddb95399-d638-4d4a-8d68-b0bf45c5c9ac/250943.ruscica.9789527222201.jpg_1920x1920.jpg https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/2ed5354a-57ca-40e2-969b-bfce75b4e973/Fleckner.jpg https://www.lexmorganlancaster.com/talks daily 0.75 2026-03-25 https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/1839a4a9-e69d-478f-921a-bfe9ae4fbc73/image-1763648677-3.jpg https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/9fd9bc0e-5840-4d9d-a1e3-35c08ffab06c/for+website.jpg https://www.lexmorganlancaster.com/curating daily 0.75 2025-08-29 https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/b8dc6c55-33bb-4d1d-bad0-cf061adaa8b2/Picture1.jpg Curating - Make it stand out March 16-April 29, 2023 Co-sponsored by the Center for African American Studies Jessica Scott-Felder uses drawing, installation, and performance to create social-psychological spaces that facilitate exploration of ancestral narratives and folklore, history and memory, and Afrofuturism. “What’s Left Undone” is a performative exercise in sharing Scott-Felder’s creative process of large-scale drawings. Using personal and site-specific Spartanburg narratives and histories as a point of departure, Scott-Felder's drawing references the nature of knowledge unfolding and evolving over time. A nod to the dedication and contributions of African Americans in the City of Spartanburg, the artist continues to develop the work until the close of the exhibition, with openness to audience participation. https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/1247c458-b88b-4e85-a162-7366a6477def/IMG_4389.jpeg Curating - Make it stand out January 19 - February 24, 2023 Valerie Zimany’s work blends Asian and European botanical patterns of 18th and 19th century export wares, exploring the transculturation that produced intricate floral designs known as Hanazume from their origins in Japan’s commodity exchanges with Europe. Incorporating advances in digital technology in ceramics, Zimany utilizes both virtual sculpting software and hand-crafting techniques to render densely ornamented surfaces that speak to cultural mixture, conjuring temporal as well as technological incongruencies. https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/2f3ec3d6-ac00-42ad-9424-5a3b75b523f0/5D77B5E3-F9F4-449E-8EEB-5DF69D8DF606_1_105_c.jpeg Curating - Make it stand out November 3, 2022 - January 6, 2023 Co-sponsored by the Center for Women’s and Gender Studies Mo Kessler is a queer multimedia object maker, installation artist, and community organizer from Kentucky. Using the contradictions inherent in the concept of cheap, Mo investigates how worth is generated under neo-liberal capitalism. Their work relies on repetitive labor and materials that both spark recognition and are accessible. Fascinated by the defiance of “tacky” and the amount of sincerity it can hold, Mo's work reflects the resilience embedded in the craft that is born of necessity. Under the politics of extraction and disposability, to mark value through attention, care and abundance is a small rebellion. https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/574c2972-9ddc-4d8e-96ec-0937dcbe8d86/Picture1.png Curating - Make it stand out Co-curated with Kim E. Powell September 1 - October 21st Co-sponsored by South Carolina Centro Latino Yehimi Cambrón is a DACAmented artist and activist based in Atlanta and born in San Antonio Villalongín, Michoacán, México. Cambrón’s artwork participates in immigrant rights activism by both celebrating the humanity and dignity of Undocumented Americans, and reflecting on their experiences wrought by injustice and the inhumane treatment of immigrants in the United States. The work in this exhibition was created from a place of vulnerability while processing struggles that are both personal and political. Refusing any singular narrative of what it means to be an immigrant, Cambrón’s work creates space for complexity, multiplicity, and healing as a form of resistance. https://images.squarespace-cdn.com/content/v1/611aca972d005576e55ec27a/adf78c09-638a-4f55-a017-2f59753b694c/%3Eyour+house+d13.jpg